Here are a few of the photos I took on location. The director was Nick Loven, his production assistant was Lilli Stoddart, the actors were Kirsty Hannah and Lucy Sherre Cooper, hairdressing was by Anita Cudbertson, the costume was by me and the location was The Saxon House.
Crow’s Eye Productions has just completed a follow-up to our film ‘Getting Dressed in the 18th Century’ that we made for Lady Lever Art Gallery. The immense popularity of the first film raised the question amongst the audience who viewed it and enjoyed the complexity of a wealthy woman’s dress: ‘who dressed the maid’? So we made the second film to explain in detail how dress was simplified by working women, and made more practical and affordable, while still maintaining the fashionable silhouette.Continue reading “Getting Dressed in the 18th Century -Working Woman”
Here is a sneak peak at the making of a short museum film on the layers of 18th century dress. It was commissioned by The Lady Lever Art Gallery and made by Crow’s Eye Productions, directed and filmed by Nick Loven. Continue reading “Eighteenth Century Dressing”
As part of our WW1 drama-documentary, William’s Story’, we have followed the story of the Crowder family into the post war years. This necessitated making a 1930’s suit for Grace Crowder and filming her at the home she moved to from Lincolnshire: Sutton Poyntz in Dorset.
We have just completed a WW1 drama documentary ‘William’s Story’ which included a flash-forward to the 1930’s and gave me the opportunity to make some lovely 1930’s children’s clothes. Here are some screen grabs from the shoot.
Even before the script was written for ‘Tell them of Us’, I spent a year researching and gathering vintage resources to begin creating the costume. The film was to be set in the Lincolnshire village of Thimbleby during WW1. As I worked I became aware of just how much clothing was hand knitted during the period and realised that to only include sewn clothing would have been a distortion…Continue reading “Knitting for the First World War”
Leonardo da Vinci’s portrait of Mona Lisa, thought to beLisa Gherardini, the wife of Francesco del Giocondo, a wealthy Florentine silk merchant, is magnificently enigmatic. Even her clothing veils her in mystery. In order to recreate her clothes I had to peel back the layers as the swathes of dark silk mask the details of her dress giving only hints of the garments that lie beneath.
‘Recreating Johannes Vermeer’s iconic and enigmatic painting Girl with a Pearl Earring was an irresistible temptation. In fact I had been considering this for some time and had already collected a number of yellow and blue silks that were tucked away safely somewhere in my textiles stash’.